James Dean Bradfield and Nicky Wire contributed an original song, “The Girl from Tiger Bay”, to Shirley Bassey’s 2009 studio album, The Performance.”[65]

Categories: Manic Street Preachers1986 establishments in WalesBrit Award winnersBritish pop rock music groupsBritish glam rock groupsHeavenly Records artistsIvor Novello Award winnersMusical groups established in 1986Musical triosMusical quartetsNME Awards winnersPolitical musicWelsh alternative rock groupsWelsh hard rock musical groupsWelsh punk rock groupsWelsh socialistsWelsh rock music groups

Suddenly, things grew vastly worse. I felt as though I had fallen backwards into a void at the absolute core of my mind, as though I had dropped through the variously false and detestable strata of my being into the reality of myself: nothingness, blackness, an abhorred vacuum around which swirled thoughts now far too fast to track, record, or resist. And I did indeed fall backwards, into the bathtub, because I felt exposed outside of it. I curled into myself and opened my mouth and screamed silently, my wet face draining from so many places that I worried as I gasped that I would aspirate tears, spit, snot.

In support of the album the band appeared on Top of the Pops, performing its first single, “Faster”, which reached No. 16. The performance was extremely controversial at the time, as the band were all dressed in army regalia. Bradfield wore a “terrorist-style” balaclava. At the time, the band was told by the BBC that they had received the most complaints ever.[30] The album eventually has sold over 600,000 copies worldwide and is frequently listed among the greatest records ever recorded.[31]

My friends sound like they’re talking slowly, as though they think I can’t understand them. In reality we’ve been speaking for nearly hours. They comment on how animated and passionate I am. It’s a topic I don’t care about.

Original bassist Flicker (Miles Woodward) left the band in early 1988, reportedly because he believed that the band were moving away from their punk roots.[2] The band continued as a three-piece, with Wire switching from guitar to bass,[2] and in 1988 they released their first single, “Suicide Alley”. Despite its recording quality, this punk ode to youthful escape provides an early insight into both Bradfield’s guitar work and Moore’s live drumming, the latter of which would be absent from the band’s first LP.[9] The Manics intended to restore revolution to rock and roll at a time when Britain was dominated by shoegaze and acid house. The NME magazine gave “Suicide Alley” an enthusiastic review, citing a press release by Richey Edwards: “We are as far away from anything in the ’80s as possible.”[10]

In the blackness of myself, I could see that my thoughts were not myself at all: my self is only a nothingness that exists in a state of pure terror and hatred, and my thoughts rotate around it as debris in a tornado.

My thoughts were imbecilic, disgusting, vicious, superficial, detestable, but by this point I could no longer stay with them long enough to hate them. They distracted me, but I couldn’t attend to them.

I said in my mind: “Oh god, oh god, oh god, nothing, nothing, nothing; oh god, nothing, nothing, oh god, I’m nothing, it’s nothing, there’s nothing, god, god.”Periodically I would see what I assume was a phosphene, and it would transform into something real; I saw a glowing purple shape become the sun, and the sun became the blond hair I had in childhood.

And I realized that I had murdered that boy, had murdered my own boyhood self, had destroyed this innocent child, and I ground my teeth to silence myself, as I wanted to scream so loud that I would tear myself apart, would explode in a bloody spray.

I was sick with guilt and fear; I had nothing inside myself any longer; I felt I had betrayed myself, had orphaned myself when I needed someone most. I heard in my mind: “Why did I kill him? Oh god, he needed someone, he needed someone, why did I kill him, I’ve killed him, oh god, I’ve killed him.

“I was seized with a desire to gain physical access to and destroy my brain, an urge I felt in childhood when I had severe headaches. I grasped my hair and attempted to pull it out; I wanted to rip my scalp open and reach into my skull and destroy my mind, scramble and tear apart this malevolent and pathetic apparatus with my fingers, rip out the guts of my whole nightmare self.

I couldn’t get my hair out, hated myself for it, lost the thread of this thought, and resumed my silent shrieking and sobbing.

It was never the same again. After experiencing mania, and the regimen of medications (which have left me emotionally and sexually incapacitated) that followed, I could never look at the people I knew and the life I had the same way again.

The band released a Christmas single, “The Ghosts of Christmas”, in December. The track was available as a free download on their official website throughout December 2007 and January 2008. In February 2008, the band were presented with the God-Like Geniuses Award at the NME Awards ceremony.[72]

Manic Street Preachers in 2010. From left to right: James Dean Bradfield, touring member Wayne Murray, Nicky Wire and Sean Moore

In 2000, they released the limited edition single “The Masses Against the Classes”. Despite receiving little promotion, the single sold 76,000 copies in its first week and reached number one in the UK Singles Chart on 16 January 2000, being the first new number one of the 21st Century and beating “U Know What’s Up” by Donell Jones to the top. The catalogue entry for the single was deleted (removed from wholesale supply) on the day of release, but the song nevertheless spent 9 weeks in the UK chart.[17]

“It’s like dating a different person,” he says, “I love this new you. You’re so strong and confident. Your writing is so beautiful.” He’s cut me deeply and I’ve decided to break up with him then and there.

In 1990 the Manic Street Preachers signed a deal with label Damaged Goods Records for one EP. The four-track New Art Riot E.P. attracted as much media interest for its attacks on fellow musicians as for the actual music.[2] With the help of Hall or Nothing management, the Manics signed to indie label Heavenly Records. The band recorded their first single for the label, entitled “Motown Junk”.

Euphoria: I understand exactly why being high on ecstasy is called “rolling” because I’ve felt what can only be described as “rolling in euphoria.” It can be overwhelmingly amazing.Arrogance: Feeling like a high school popular girl.

Like you’re so important and better than everyone else. Technically a type of euphoria, but whatever.Anger/Iritability/Aggression: You feel like your soul is hotter than the sun and you snap at the smallest things, which (for me) usually includes violent thoughts.

This is IMO one of the worst parts (other than the sadness on occasion). I’ve gotten in the habbit of punching brick walls and my hand is scarred.Violence: Worth saying. I’m hardly ever violent, but I’m a totally different person like this.

Sadnes/Hopelessness: This is more of a sometimes thing, but you can feel way worse than depression. This can even manifest in the form of the desire to kill yourself for no reason at all. Like, you feel fine, but like you want to kill yourself.

Like the act is something to look forward into.Quick Thinking and Talking: Talking so fast that nobody knows a word you say isn’t abnormal.Inability to Focus: Don’t expect to get anything productive done.

Now you know what ADHD is like (energy, impulsiveness, attention issues, etc.)!Paranoia: You can feel like you’re being perused, like you’re being spied on, or like someone you know is planning your death.

Yes, delusions are annoying.Hallucinations: Have fun. It’s like having schizophrenia. Shadow people and voices are always fun.Insanity: You may feel absolutely insane and like you belong in a mental hospital because you can’t control yourself.

It can be frustrating to see yourself decent into insanity and feel like your mind is on autopilot sometimes.People will ask if you are on Methamphetamine: Everyone thinks I’m taking meth. It’s fairly similar from what I understand.

Several tracks refer to Edwards’ time in a couple of hospitals in 1994. Among them is “She Bathed Herself in a Bath of Bleach”, of which James Dean Bradfield said to the NME: “There’re some people he met when he was in one of the two places having treatment and I think he just digested other people’s stories and experiences.”[75] The final track, “William’s Last Words”, has been compared to a suicide note, and although Nicky Wire rejects this suggestion,[76] Bradfield observes, “you can draw some pretty obvious conclusions from the lyrics.”[77] Wire, who admitted finding the task of editing this song “pretty choking”,[76] eventually composed the music and sang lead vocals after Bradfield found himself unsuited to the task.[77]

I laugh but no one told a joke. Nothing funny happened. The other people around me all look at me with questions in their eyes. I can almost hear them out loud. I interrupted the discussion of the impact of a friend’s suicide.

In January 2018, Manic Street Preachers signed a new publishing contract with Warner/Chappell Music, leaving their longtime home Sony/ATV Music Publishing.[130]

I am trying to recover from a post-manic crash right about now. I ran half-marathons around DTLA the entire spring break this time. The delusions were milder, like I wanted to sign up for Taekwondo and soccer(WTF?!?) and obsession with losing weight.

Futurology, according to the band, is an album full of ideas and one of their most optimistic yet, as Wire said to the NME magazine in an interview: “There’s an overriding concept behind ‘Futurology’ which is to express all the inspiration we get from travel, music and art – all those ideas, do that in a positive way. ‘Rewind The Film’ was a harrowing 45-year-old looking in the mirror, lyrically. ‘Futurology’ was very much an album of ideas. It’s one of our most optimistic records, the idea that any kind of art can transport you to a different universe.” [106]

On 17 November 2017, the band announced that their thirteenth album, Resistance Is Futile, would be released on 13 April 2018.[128] After much delay, the band wrote “The main themes of ‘Resistance is Futile’ are memory and loss; forgotten history; confused reality and art as a hiding place and inspiration,” the band say in a statement. “It’s obsessively melodic – in many ways referencing both the naive energy of ‘Generation Terrorists’ and the orchestral sweep of ‘Everything Must Go’. After delay and difficulties getting started, the record has come together really quickly over the last few months through a surge of creativity and some old school hard work.” It is the first album to be recorded at the “Door to The River” new studio.[129]

Viewers’ Favourite Album of All Time (The Holy Bible) – Newsnight 15th Best Album of All Time (The Holy Bible) – Melody Maker 10th Best Album Since Creation of Magazine (The Holy Bible) – Q 18th Best Album of All Time (The Holy Bible) – Q 10th Greatest Album of All Time (The Holy Bible) – Kerrang! 11th Greatest Album of All Time (Everything Must Go) – Q 16th Best Album Since Creation of Magazine (Everything Must Go) – Q 22th Best British Rock Album of All Time (Everything Must Go) – Kerrang! One of the Best Albums of All Time (Everything Must Go) – Absolute Radio Best Band of 1996 – NME Awards Best Album of 1996 (Everything Must Go) – NME Awards Best Track of 1996 (A Design for Life) – NME Awards One of The Writers’ Best Albums (Everything Must Go) of 1996 – The Daily Telegraph Writers’ Best Album (Everything Must Go) of 1996 – Melody Maker Readers’ Band of 1996 (Runner Up) and Writers’ Album of 1996 (Everything Must Go) – NME Writers’ Best Live Band of 1996 – NME Brat Award Writers’ Best Album of 1996 (Everything Must Go) – Vox Writers’ Best Album of 1996 (Everything Must Go) – The Sunday Times Writers’ Best Album of 1996 (Everything Must Go) – Sky Writers’ Best Album of 1996 (Everything Must Go) and Readers’ Best Album of 1996 (Everything Must Go) – Select Readers’ Best Album of 1996 (Everything Must Go) – Q Awards Writers’ Best Album of 1996 (Everything Must Go) – Music Week One of Writers’ Top Ten Albums (Everything Must Go) of 1996 – Metal Hammer Writers’ Album (Everything Must Go) of 1996 (Runner Up) – Kerrang! One of Writers’ Top Five Albums (Everything Must Go) of 1996 – The Independent on Sunday Readers’ Best Album (Everything Must Go) of 1996 – Hot Press Writers’ Best Album (Everything Must Go) of 1996 – The Guardian Ivor Novello Award for Best Contemporary Song (A Design For Life), 1996 Best Album & Best Group – BRIT Awards, 1997 Best Band In The World Today – Q Awards, 1998 Best Album & Best Group – BRIT Awards, 1999 Best Band – 1999 NME Awards Best Album (This Is My Truth Tell Me Yours) – 1999 NME Awards Best Track (“If You Tolerate This Your Children Will Be Next”) – 1999 NME Awards Best Music Video (“If You Tolerate This Your Children Will Be Next”) – 1999 NME Awards 7th Best Band of All Time – 1999 NME Best Ever Category[150] 7th Best Album Of All Time (The Holy Bible) – 1999 NME Best Ever Category[150] 8th Best Single Of All Time (A Design For Life) – 1999 NME Best Ever Category[150] Best Live Act – Q Awards, 2001[151] Q Merit Award – Q Awards, 2006 Best Track (“Your Love Alone Is Not Enough”) – Q Awards, 2007 Best Internacional Rock Group – Eska Music Awards, Poland, 2008 God-Like Geniuses – Shockwaves NME Awards, 2008 The MOJO Maverick Award 2009[152] Songwriting Prize at the Classic Rock Roll of Honour Awards, 2011 Ambassadors of Rock – Silver Clef Award 2012 Classic Album (Generation Terrorists) – Q Awards, 2012 Best Video (Show Me The Wonder) – Q Awards, 2013 Musician’s Union Maestro (for James Dean Bradfield) at the Classic Rock Roll of Honour Awards, 2013 Best Reissue of the Year (The Holy Bible) at the NME Awards, 2015 The Ivors Inspiration Award at the Ivor Novello Awards, 2015 Q Inspiration Award at the Q Awards, 2017

Postcards from a Young Man was recorded with producer (and longtime Manics collaborator) Dave Eringa and was mixed in America by Chris Lord-Alge.[86] It was released in a standard version, 2 CD deluxe version, and limited edition box set.[87] The album cover art uses a black and white photograph of British actor Tim Roth.[88]

The group’s next album, The Holy Bible, was released in August to critical acclaim, but sold poorly. The album displayed yet another musical and aesthetic change for the band, largely featuring army/navy uniforms. Musically, The Holy Bible marks a shift from the modern rock sound of their first two albums, Generation Terrorists and Gold Against the Soul.[21] In addition to the album’s alternative rock sound the album incorporates various elements from other musical genres, such as hard rock,[19] British punk, post-punk,[22] new wave, industrial, art rock and gothic rock.[2][23]

The lead single of the album, “Show Me the Wonder”, was referred to on their Twitter account, the Manics posted, “I think ‘show me the wonder’ is the 1st ever manics single without JDBs electric guitar on-xx.”[104] The single was released on 9 September 2013 to a positive critical reception. The album itself was released on 16 September 2013 and reached No. 4 on the UK Album Chart. The second single of the album “Anthem for a Lost Cause” was released on 25 November 2013.

Ben Patashnik of Drowned in Sound later said that the album in the time of its release “didn’t sell very well, but its impact was felt keenly by anyone who’d ever come into contact with the Manics”, and that it is now a “masterpiece […] the sound of one man in a close-knit group of friends slowly disintegrating and using his own anguish to create some of the most brilliant art to be released on a large scale as music in years […] It’s not a suicide note; it’s a warning.”[29]

In February 2008, the Manics covered Rihanna’s hit pop song “Umbrella”. Their version appeared on a CD titled NME Awards 2008 given away free with a special souvenir box set issue of NME magazine, which went on sale 27 February. Additionally, the Manics’ version of the song was made available on iTunes from 5 March 2008.[72] Despite being chart-eligible (it reached number 47 in the UK),[17] the release was not intended as an official single.[145] Two further versions (the Acoustic and Grand Slam mixes) were later made available on iTunes and now comprise a three-track Umbrella EP.

In the 10th anniversary edition, the band itself claims that they’re still fond of the record, and Wire goes further saying: “I think it’s our best record, I am not afraid to say that.”[65]

My boyfriend is calling my name. He has been for a while. I don’t know how long. He says he’s worried about me; I was looking off into space and not responding to him. He says it’s been an hour. I don’t remember sitting down.

Manic Street Preachers formed in 1986 at Oakdale Comprehensive School, Blackwood, South Wales.[8] During this time, Bradfield, alongside the classically trained Sean Moore, primarily wrote the music while Wire focused on the lyrics. The origin of the band’s name remains unclear, but the most often-told story relates that Bradfield, while busking one day in Cardiff, got into an altercation with someone (sometimes said to be a homeless man)[8] who asked him “What are you, boyo, some kind of manic street preacher?”[2]

In February 2017 the band revealed a teaser trailer for a new documentary entitled Escape from History, charting the band’s journey from The Holy Bible, through to the disappearance of lyricist and guitarist Richey Edwards, to the huge success of Everything Must Go. The documentary aired on Sky Arts on 15 April.[125] The band also stated that they would release a new album later in that year.[126]

The ninth Manics album, Journal for Plague Lovers, was released on 18 May 2009 and features lyrics left behind by Edwards. Wire commented in an interview that “there was a sense of responsibility to do his words justice.”[73] The album was released to positive critical reviews and reached No. 3 on the UK Album Chart. However the cover of the album generated some controversy, with the top four UK supermarkets stocking the CD in a plain slipcase, as the cover was deemed “inappropriate”.[74] Bradfield regarded the decision as “utterly bizarre”, and has commented: “You can have lovely shiny buttocks and guns everywhere in the supermarket on covers of magazines and CDs, but you show a piece of art and people just freak out.”[74]

On 26 July, the first single from the new album, “(It’s Not War) Just the End of Love”, was played on the breakfast shows of BBC Radio 2,[83] BBC 6Music, XFm and Absolute Radio.[84] It was released on 13 September. The title had previously been suggested as a working title for the album by Nicky Wire. Three collaborations were also confirmed on the band’s website later that day: Duff McKagan would appear on “A Billion Balconies Facing the Sun”, Ian McCulloch will add guest vocals to “Some Kind of Nothingness” and John Cale will feature on “Auto-Intoxication”. Of the album’s lead single, “(It’s Not War) Just the End of Love,” Nicky Wire claimed: “I believe in the tactile nature of rock ‘n’ roll. There’s a generation missing out on what music meant to us…You can only elaborate on the stuff that compels you to. But “It’s Not War…” is kind of saying, “Alright, we’re not 18, but even at 40 the rage is still there”.[85]

Postcards from a Young Man and National Treasures (2010–2012)[edit]

National Treasures – The Complete Singles was released on 31 October 2011, preceded by the release of the single “This Is the Day”, a cover of the song by The The.[92] On 17 December 2011, the group performed ‘A Night of National Treasures’ at O2 Arena in London to celebrate the bands 25 years to date, and enter into a period of hiatus where the eleventh album was written. The band performed all the 38 singles in one show, with around 20,000 people attending the show. It featured guests, like Nina Persson from the Cardigans who sings with the band on the single “Your Love Alone Is Not Enough” and Gruff Rhys from Super Furry Animals who sang with the band that night on the track Let Robeson Sing.[93] In April and May 2012, the band embarked on a European greatest hits tour.[94] The compilation was voted by NME magazine as the best re issue of 2011, beating Nirvana’s deluxe and super deluxe edition of Nevermind to the top spot.[95]

In 1997 the band performed a special gig at the Manchester Arena for more than 20,000 people. Bassist Nicky Wire said that was the moment he knew that the band had “made it”.[2] The recording was released as a VHS video on 29 September 1997, and has only been reissued on DVD in Japan.

The song has a different pace from all the other songs in the album. The lyrics were written by Richey and Nicky and presents a metaphor for the capitalist world.

Since then he has reportedly been spotted in a market in Goa, India, and on the islands of Fuerteventura and Lanzarote. There have been other alleged sightings of Edwards, especially in the years immediately following his disappearance.[48] However, none of these has proved conclusive [49] and none has been confirmed by investigators. He has not been seen since.[50][51]

The album also included the hit singles “You Stole the Sun from My Heart”, “Tsunami” and “The Everlasting”. The Manics won Best British Band and Album awards at the BRIT Awards in 1999.[5] This Is My Truth Tell Me Yours was also shortlisted for the 1999 Mercury Prize and the band received a further nomination in the category of Best UK & Ireland Act in the 1999 MTV Europe Music Awards, where the band performed live the single If You Tolerate This Your Children Will Be Next. In the NME Awards in 1999, the band won every single big prize, Best Band, Best Album, Best Live Act, Best Single and Best Video, nailing also the prize for Best Band In The World Today in the Q Awards 1998.[62]

The record contained six singles and sold 250,000 copies.[2] The success of 1996’s Everything Must Go at the 1997 BRIT Awards ensured that sales of Generation Terrorists and subsequent albums Gold Against the Soul and The Holy Bible enjoyed a late surge; the band’s debut sold an extra 110,000 copies.[2] The band also made a cover version of the song ′′Suicide is Painless′′ which peaked at number 7 in the UK charts, spending 3 weeks in the Top 10, and giving the band their first ever Top 10 hit single.[17]

On the new album the Manics launched their first single “International Blue” as a download on 8 December 2017.[131] The second single “Distant Colours” was released, also as a download, on 16 February 2018.[132] About the first single the band said that there’s was certain naive energy and widescreen melancholia on the song that is reflected through the whole album, comparing it to Motorcycle Emptiness. Furthermore the album focused on “(…)things that make your life feel a little bit better. Rather than my internalised misery, I tried to put a sense of optimism into the lyrics by writing about things that we find really inspiring.” Said Wire, taking inspiration from David Bowie and seen as almost an escape and a wave of optimism, just like the previoous album was described.[133] On the other hand “Distant Colours” was written by James Dean Bradfield, rather than Nicky Wire, and inspired by disenchantment and Nye Bevan’s old Labour. He said: “Musically, the verse is downcast and melancholic and the chorus is an explosion of disillusionment and tears.”[134] The third single “Dylan & Caitlin” was released as a download on 9 March 2018.[135] The fourth single Liverpool Revisited is about a magical day in the city, Nicky added that: “It was on the Everything Must Go (anniversary) tour and I got up really early at sunrise to walk around Liverpool, polaroid camera in hand on a balmy day. It sounds clichéd I know, but Liverpool in the sun does take on a hypnotic quality, with the Mersey and the stone.”[136] The band also revealed that they were to support Guns N’ Roses during their summer tour.[137]

The album was supported by the Manics’ most extensive tour of the UK to date,[89] starting in Glasgow on 29 September 2010. British Sea Power were the support act for the band on the tour. Two further singles were released from the album – the McCulloch-featuring “Some Kind of Nothingness” and the title track “Postcards from a Young Man”. “Some Kind of Nothingness” peaked at No. 44 in the UK making it the first ever Manics single to not make the Top 40 since they signed to Sony in 1991.

The album was officially released in September 2006. It charted at No. 130 in the UK. The sound of the album, which Nicky referred to as his “nihilistic anti-everything album”, was inspired by, among others, Neu!, the Plastic Ono Band, Einstürzende Neubauten, the Modern Lovers, Richard Thompson and Lou Reed.[142] Only one official single was released, “Break My Heart Slowly”, which charted at No. 74. Nicky toured small intimate venues across the UK with his band the Secret Society.[65]

Their next single, “You Love Us”, sampled Krzysztof Penderecki’s “Threnody to the Victims of Hiroshima” as well as Iggy Pop. The video featured Nicky Wire in drag as Marilyn Monroe and contained visual references to the film Betty Blue and to Aleister Crowley. In a now legendary interview with then-NME journalist Steve Lamacq, Edwards carved the phrase “4REAL” into his arm with a razor blade to prove their sincerity.[11] He was taken to hospital and received seventeen stitches.[2]

Despite the “complete singles” title, National Treasures does not contain every Manic Street Preachers single. Notable omissions are the band’s very first single, “Suicide Alley” (1989), “Strip It Down” from the New Art Riot EP (1990), for which the band’s first promotional video was made,[96] and “You Love Us (Heavenly Version)” (1991). For singles originally released as double-A sides, only one song is included: therefore from “Love’s Sweet Exile/Repeat” (1992) and “Faster/P.C.P.” (1994), only “Love’s Sweet Exile” and “Faster” are included.”[65]

This Is My Truth Tell Me Yours was the first number 1 of the band in the UK, remaining at the top of the albums chart for 3 weeks,[57] selling 136,000 copies in the first week and spending a total of 74 weeks in the Album Chart.[17] The title is a quotation taken from a speech given by Aneurin Bevan, a Labour Party politician from Wales.[58] Its working title was simply Manic Street Preachers. The cover photograph was taken on Black Rock Sands near Porthmadog, Wales.[59] Around the world the album also peaked at number 1 in countries like Sweden and Ireland, and it sold over five million copies worldwide.

I smell something NEW. It’s complicated, delectable, my nose promises my tongue that it will be the best thing I’ve ever tasted. It’s my favorite food? It tastes like ash. I eat too much of it and feel like throwing up.

It’s hard to describe what a manic episode is like without using vignettes like this for me; a manic episode isn’t a single experience. It’s a shattered collection of memory shards that I’ve managed to collect and piece together from others’ recounting as well as my own. I know they’re not in order but it feels better this way.

You’re feeling about 10,000 emotions all at once where all of them are turned up to an absolute extreme. It looks like you’re switching quickly when you’re just feeling all of them and the visible one is which one is changing your behavior. Some of the most predominant ones are:

In May 2013, the band announced an Australasian tour for June and July, that would see them play their first ever show in New Zealand.[99] This tour coincided with the British and Irish Lions rugby tour to Australia and the Melbourne concert on the eve of the 2nd Test featured Lions’ centre Jamie Roberts as a guest guitarist on “You Love Us”.

I was diagnosed with severe Bipolar Type 1 disorder with psychotic features. The episode was triggered off by some academic and personal stress factors (I have an added badge of anxiety disorder to my credentials). I was walking around in DTLA one night in late June last year, and the next thing I knew, I had walked off 11 miles all the way to Runyon Canyon the next morning.

The band ended up promoting the album with appearances in the summer festivals like Reading and Leeds Festivals and Glastonbury Festival.

I finish three projects that I’ve been working on for literal months. Each had dedicated days worth of work left before they’d be passable. I did it in one night. I’m praised at their quality, even though I think it’s all bad.

The album has sold over two million copies around the world, and it is still considered one of the finest releases of the decade,[54] a classic album from the 1990s[55] and frequently voted in polls in the category of best albums of all time by many publications.[56]

With their fifth album, the group also had a No. 1 single, “If You Tolerate This Your Children Will Be Next”. The song’s theme is taken from the Spanish Civil War, and the idealism of Welsh volunteers who joined the left-wing International Brigades fighting for the Spanish Republic against Francisco Franco’s military rebels. The song takes its name from a Republican poster of the time, displaying a photograph of a young child killed by the Nationalists under a sky of bombers with the stark warning “If you tolerate this, your children will be next” written at the bottom. An original of this poster can be seen at the Imperial War Museum, London,[60] as well as at the Southworth Spanish Civil War Collection at the University of California, San Diego. The song is in the Guinness World Records as the number one single with the longest title without brackets.[61]

The title “The Holy Bible” was chosen by Edwards to reflect an idea, according to Bradfield, that “everything on there has to be perfection”.[27] Interviewed at the end of 1994, Edwards said: “The way religions choose to speak their truth to the public has always been to beat them down […] I think that if a Holy Bible is true, it should be about the way the world is and that’s what I think my lyrics are about. [The album] doesn’t pretend things don’t exist”.[28]

James Dean Bradfield and Sean Moore in November 2015 did a charity hike in Patagonia, Nicky Wire did not participate in the event, the band said :”In November 2015 we will be walking in the footsteps of our Welsh ancestors when we will be part of the Velindre group of 50 people celebrating the 150th anniversary of Welsh settlers arriving in Patagonia with a challenging six-day trek.”[113]

I hurt myself crying: an extraordinarily pathetic feeling overtook me as I cramped from pushing against the walls of the tub and I turned onto my back, looking upwards. Everything was slowing down, and I realized it: I felt as though I was being pulled upward through the same strata, back up to the “higher order” consciousness from which I had moments ago felt permanently alienated. It wasn’t a happy feeling; it felt false, pointless. But it wasn’t volitional, and within minutes I was out of the bathroom, pulling on my clothes to prepare for the day.

Lyrically the album deals with subjects including prostitution, American consumerism, British imperialism, freedom of speech, the Holocaust, self-starvation, serial killers, the death penalty, political revolution, childhood, fascism and suicide.[24] According to Q: “the tone of the album is by turns bleak, angry and resigned”.[25] There was also an element of autobiographic subjects, like in the song “4st 7lb” where the lyrics clearly tackle Richey’s own experience and life. The song was named after 4 stones 7 pounds, or 63 pounds (29 kg), because it is the weight below which death is said to be medically unavoidable for an anorexic sufferer.[26]

I retreated into the bathroom, shut the door, and turned out the lights; I was very upset about many things, about all things; whatever thoughts formed were either dark and horrible at the outset or were pulled towards darkness very quickly. From one subject to the next: fears about the future, regrets about the past, guilt about my own moral failures, self-loathing because of my intransigent faults, fury at innumerable persons, shame at the force of my hatred and bitterness, and exhaustion with the perpetual systematic failure of my entire mind: personality, cognition, memory, emotion, will. In a few seconds I would cycle through these thoughts, which lead into and depart from one another, in an accelerating spiral that unified, separated, and then recomposed these threads again and again; it was rapid and repetitive.

The band’s seventh studio album, Lifeblood, was released on 1 November 2004 and reached No. 13 on the UK album chart. Critical response to the album was mixed. The album was more introspective and more focused on the past, Wire talked about the ghosts that haunted this record and stated that the record was a retrospective: “The main themes are death and solitude and ghosts. Being haunted by history and being haunted by your own past. Sleep is beautiful for me. I hate dreaming because it ruins ten hours of bliss. I had a lot of bad dreams when Richey first disappeared. Not ugly dreams, but nagging things. Until we wrote ‘Design for Life’, it was six months of misery. Lifeblood doesn’t seek to exorcise Edwards’ ghost, though, just admits that there are no answers”.[67] Tony Visconti helped the band produce three songs on the album, which was followed by a UK arena tour in December 2004. “Empty Souls” and “The Love of Richard Nixon” were the two singles released from the album, both reaching No. 2 in the UK.[68]

Suddenly it’s three days later. I’ve more than survived, I’ve thrived through them. I don’t remember them. People talk about what happened for the next few weeks; they start to expect me to always be like that. I let them down. A lot.

Website www.manicstreetpreachers.com Members James Dean Bradfield Nicky Wire Sean Moore Past members Miles Woodward Richey Edwards

The band also stated that the choice to work with Dave Eringa again was important for this album: “We finished work in November and then just went straight into a demo studio and we came out about four weeks later with the album all finished. We were all happy with all the songs, we knew what they wanted to sound like, so we didn’t want to use a mainstream producer because they’ve got their own sound and vision of what a record should be like. So we just phoned Dave up and said ‘Look, come down, let’s see how this works out’, and everyone loved what we were doing, so we decided to stay with him.”[18]

Bradfield’s solo album, The Great Western, was released in July 2006, to positive reviews from critics.[143] It reached No. 22 in the UK. The sound of the album was inspired by, among others, Jeff Beck, Badfinger, Simple Minds and McCarthy. Two singles were released: “That’s No Way to Tell a Lie” (No. 18) in July, which was also the background music to the BBC’s Match of the Day’s ‘Goal of the Month’ competition,[144] and then “An English Gentleman” (No. 31) in September. The latter is in remembrance of the first Manics manager Philip Hall, to whom The Holy Bible had been dedicated. The initial pressings of the red 7″ single were actually made with black vinyl, some of which were sent out to distributors by mistake. James toured the album with a band that included Wayne Murray, who would subsequently play second guitar for Manics live performances. James’ solo gigs featured covers of the Clash songs “Clampdown” and “The Card Cheat”, both from the album London Calling.

I have Bipolar II so my manic episodes are hypomania. I’ve learned to manage my mania pretty well in nearly 30 years of  medication and symptom management.Hypomania is:a mild form of mania, marked by elation and hyperactivity.

Everyone is different. What I describe will be unique to me.My symptoms include something called “pushed speech”. I speak faster than even my mouth wants to go. My thoughts come quickly, and tumble out often unchecked.

It’s embarrassing. I see people looking at me in a way that tells me they notice.I don’t get grand ideas, but I become much more confident of my abilities. I start many projects, and finish some. The trick is to get as many done as possible before the crash comes.

That is the benefit of experience. I’ve done a great many things I am proud of with the extra energy of hypomania, but I do sit on a pile of unfinished things: some total nonsense for my skill set. So, I never live in praise of mania.

Money! Everyone has heard of mania and money. Because I have some significant physical illness, and some agoraphobia, for me it’s Internet shopping. I’ve learned to spot certain behaviors in myself and stop.

Experience, and medication have both helped. Still, I have weaknesses and for those I have friends. I have to have friends that watch me. Also bank accounts that don’t transfer to my checking acct.When it builds to it’s peak I can’t sleep, and I feel like I am crawling out of my skin.

An itching from the inside. It gets hard to sit still. I become agitated, argumentative, “know-it-all’ish”, and just as useless as I am when I’m depressed. My OCD behaviors become very obvious, and other people’s little behaviors become impossible for me to tolerate.

I just have to be alone in a very quiet place.I’ve destroyed a marriage, a 15 year career, a relationship that… Well just THAT. Sometimes it gets too big and I can’t control it.I have repaired me over and over.

So many iterations of me, each one destroyed by a giant mania that happens every few years that I can’t control.

Richey Edwards era: Generation Terrorists to The Holy Bible (1992–1995)[edit]

My thoughts were racing and my mind was all fuzzy. I couldn’t read an entire article. The University was in full swing but all I did was walk the streets. I was the classic raging madness. I withdrew from classes I had registered for, since I was no shape to take the tests.

The greatest hits (plus remixes) album Forever Delayed was released in 2002, containing two new songs, “Door to the River” and the single “There by the Grace of God”. Several songs were edited for length (“Motorcycle Emptiness,” “You Love Us”, “Australia,” “Everything Must Go,” “Little Baby Nothing,” and “The Everlasting”) so that more tracks could fit onto the CD (though not listed as edits in the liner notes).”[65]

The band also pays tribute to singer and civil rights activist Paul Robeson in the song “Let Robeson Sing”, but the song “Ocean Spray”, which was a single, was written entirely by James about his mother’s battle with cancer. The first singles from the album, “So Why So Sad” and “Found That Soul”, were both released on the same day. The final single “Let Robeson Sing” was released later. The Manics also headlined Reading and Leeds Festival.

Manic Street Preachers’ music has been variously described as alternative rock,[146] hard rock[10] punk rock,[2] glam rock,[147] and pop rock.[148][149] According to their AllMusic biography, the band were fashioning themselves after the Clash and the Sex Pistols, attempting to restore revolution to rock music “at a time when Britain was dominated by trancey shoegazers and faceless, trippy acid house”.[10]

Manic Street Preachers was put on hold for six months and disbanding the group was seriously considered, but with the blessing of Edwards’ family, the other members continued.[2]

Subjects tackled on the album include the tragic life of the photographer Kevin Carter, on the track of the same name, Willem de Kooning and the maltreatment of animals in captivity on “Small Black Flowers That Grow in the Sky” (which is a quote from the film The Best Years of Our Lives). The latter track, with lyrics by Edwards, can also be interpreted as an exploration of his mental state before his disappearance; the line “Here chewing your tail is joy” for instance may be as much about Richey’s self-harm as it is the tormented self-injury of zoo animals. It was their most direct and mature record to date and it established the Manics as superstars throughout the world.[12]

The band initially announced that their next album had the working title 70 Songs of Hatred and Failure and would sound very different from Postcards From A Young Man: “The next album will be pure indulgence. There’s only so much melody stored in your body that you can physically get onto one record. It was just so utterly commercial and melodic.”[90] However, Nicky Wire contradicted this in 2011 while doing promotion for their greatest hits compilation National Treasures. When asked why the band was releasing the compilation Wire stated: “It’s just the end of an era. Not the end of a band. We’re gonna disappear for quite a long time.”[91]

In August 2015 the Manic Street Preachers nailed the 2 top spots on the best NME covers of all time, as voted by the general public.[112]

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Late in 2014 the band celebrated the release of their seminal album ″The Holy Bible″ with a new special edition in December, commemorating the 20th anniversary of the album. This edition includes the vinyl edition of the full album, plus a three-CD set, the first CD with the full album remastered for the special release, the second with the US mix remastered and the third including a performance at the Astoria in 1994 and an acoustic session for Radio 4 Mastertapes in 2014. The special edition also contains a 40-page book full of rare photos and handwritten lyrics and notes by Richey and by the band.[107] In the NME awards 2015, the album won “Reissue of the Year”.[108]

Manic Street Preachers performing live in Brixton O2 Academy, 2014

They also toured the album, playing it in full for the very first time.[109] After the tour in the UK, the Manics took The Holy Bible tour to North America, in April 2015, they played in Washington DC, Toronto, New York, Boston, San Francisco, Los Angeles and Chicago.[110] They also played in the Cardiff Castle on 5 June 2015 with 10,000 fans attending the gig, it was broadcast nationwide by BBC Two Wales.[111]

By early 1994, Edwards’ personal difficulties became worse and began to affect the other band members as well as himself. He was admitted into The Priory in 1994 to overcome his problems and the band played a few festivals as a three-piece to pay for his treatment.[2]

Also, if the Deluxe edition was purchased from the London record store “Rough Trade”, then alongside the £20 purchase came a free ticket to see a showing of the CABD film, followed by an acoustic gig with James Dean Bradfield on 6 November.[98]

On 14 February, Edwards’ Vauxhall Cavalier received a parking ticket at the Severn View service station and on 17 February, the vehicle was reported as abandoned. Police discovered the battery to be flat, with evidence that the car had been lived in.[37][38][44] Due to the service station’s proximity to the Severn Bridge (which has been a renowned suicide location in the past)[45] it was widely believed that he took his own life by jumping from the bridge.[46] Many people who knew him, however, have said that he was never the type to contemplate suicide and he himself was quoted in 1994 as saying “In terms of the ‘S’ word, that does not enter my mind. And it never has done, in terms of an attempt. Because I am stronger than that. I might be a weak person, but I can take pain.”[47]

The group’s second album, Gold Against the Soul, displayed a more commercial, grungy sound which served to alienate both fans and the band itself. It was released to mixed reviews but still performed well, reaching number eight in the UK album chart. The album presents a different sound from their debut album, not only in terms of lyrics but in sound, the band privileged long guitar riffs, and the drums themselves feel more present and loud in the final mix of the album. This sound would be abandoned in their next album and as for the nature of the lyrics they also changed, with Edwards and Wire eschewing their political fire for introspective melancholy.[18] According to Allmusic, the album “takes the hard rock inclinations of Generation Terrorists to an extreme.”[19]

I recently attempted to describe a part of a manic episode as plainly as possible. I am generally healthy and stable, but a lack of sleep and some personal difficulties destabilized me for several hours:

I am in my university library right now, working on an assignment, trying to readjust to graduate school, and possibly pass my Masters, after a massive manic episode lasting several months caused me to drop out for a semester. Drop out not just out of college, but pretty much the life I knew.

I hope I get used to this life. I love the manic breaks. The hate dealing with the consequences. Which greatly outweigh the mania. Like the time and opportunities lost. Missed assignment deadlines. Dropped semesters. Friendships and misunderstandings from manic irritability. That kind.

Much later on, interviewed in 2014 by NME for their “Song Stories” video series, singer/guitarist James Dean Bradfield recalled that the lyric had been a fusion of two sets of lyrics-“Design for Life” and “Pure Motive”-sent to him from Wales by bassist Nicky Wire, while he was living in Shepherd’s Bush. The music was written “in about ten minutes” and Bradfield felt a sense of euphoria with the result. The song was credited with having “rescued the band” from the despair felt after the disappearance of Edwards, with Wire describing the song as “a bolt of light from a severely dark place”.[53] The album was shortlisted for the 1996 Mercury Prize award for best album, and won the band two BRIT Awards for Best British Band and Best British Album,[5] as well as yielding the hit singles “Australia”, “Everything Must Go” and “Kevin Carter”.

“It’s all about self-discipline. Like, self-obsession is connected completely with self-loathing, and it’s the same with, if you’ve got a weight problem. It’s all about… finding some worth in yourself, knowing that you’ve got the discipline to do it, and knowing that other people maybe can’t do it.

And it’s also, I think, really connected to the fact that you almost feel, like, silent, you have no voice, you’re mute, there’s just no, you’ve got no option. Even if you could express yourself nobody would listen anyway.

Things that go on inside you, there’s no other way to get rid of them.”

The band announced in March 2016 that they would be releasing a theme song for the Wales national team ahead of the UEFA Euro 2016 tournament in the summer, entitled Together Stronger (C’mon Wales), it was released on 20 May, featuring also a video with the band and the Welsh team, the Manics tweeted: “It’s with great pride we can announce the Manics are providing the official Wales Euro 2016 song – ‘Together Stronger (C’mon Wales)'”. All profits from the song went to the Princes Gate Trust and Tenovus Cancer Care.[118] On 8 July the band was at the Cardiff City Stadium to give a home welcome to the Wales football national team after they were knocked out of the UEFA Euro 2016 by Portugal in the semi-finals, the band played a few songs in the stadium including the official theme song Together Stronger (C’mon Wales).[119] On the next night, 9 July, the Manics headlined a night at the Cornwall’s Eden Project,[120] and later the band managed to secure a new recording studio near Newport, Wales. The city’s council ensured that only the band can use the studio, there would be an increase on-site parking and a series of soundproofing measures to ensure nearby properties aren’t disturbed by noise.[121] To end the summer, the Manics went on to headline another two festivals, Wasa Open Air in Finland in mid August [122] and in late August the Victorious Festival in Pourtsmouth.[123] The band also received a nomination in the 25th British Academy Cymru Awards for the best live outside broadcast after their 2015 gig in the Cardiff Castle, celebrating the 20th anniversary of the “Holy Bible”.[124]

Rewind the Film to anniversary of The Holy Bible (2013–2016)[edit]

In late 2005, both Bradfield and Wire announced that they intended to release solo material prior to a new album by the band.[65] A free download of Nicky Wire’s debut solo offering I Killed the Zeitgeist was posted on the band’s website for just one day, Christmas Day 2005,[69] while “The Shining Path” was released exclusively on iTunes for download. In addition, a promotional album sampler had been sent out to the press and certain other people which included “I Killed the Zeitgeist”, “Goodbye Suicide”, “Sehnsucht”, and “Everything Fades”.

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On 18 June 2009 the Manics officially opened the new Cardiff Central Library. Wire later said in an interview with The Guardian that the occasion had been a great honour for the band. “For us, it seemed like a chance to give something back to Wales. Seeing one of our lyrics – “Libraries gave us power”, from ‘A Design for Life’ – inscribed on the opening plaque was in its own way as affecting as playing the Millennium Stadium.”[81]

In a later interview, when the band were collectively asked what they had learned from making a solo album, Sean Moore dryly quipped “Not to do one”.[65]

Also in November 2015, the Manic Street Preachers announced that they were going to celebrate the 20th anniversary of their 1996 album Everything Must Go, with their biggest headline show since 1999, in the Liberty Stadium, in Swansea on 28 May 2016, featuring special guests like Super Furry Animals. The album was performed in full, with Nicky Wire teasing “b-sides, rarities and curios, greatest hits and a few brand-new songs”.[114] Before the final show in Swansea the band played: Liverpool, Echo Arena (13 May), Birmingham, Genting Arena (14 May), London, Royal Albert Hall (16-17 May), Leeds, First Direct Arena (20 May) and Glasgow, The SSE Hydro (21 May).[115] In early 2016 the band announced the European tour of “Everything Must Go”, they played across Europe, in Finland, Denmark, the Netherlands and Germany.[116] Similar to what happened with “The Holy Bible” the Manics released on 20 May, a special anniversary edition for the album, which includes the full album remastered plus the B-sides, a heavyweight vinyl, the 1997 Nynex concert fully restored on DVD, an exclusive new film about the making of the album, the official videos for the all singles and a 40-page booklet. It was also made available a standard edition with a double-CD featuring only the remastered album and the concert at the Nynex Arena.[117]

This state is steady enough. It hurts very much, and I often sob into the floor, but it is not acute; it is simply painful to be filled with so much hatred for oneself, and to have this hatred permeate through one’s entirety: into one’s childhood memories, into one’s aesthetic sensibilities, into one’s sense of ethics. Because people were sleeping, I attempted mainly to cry noiselessly.

Bradfield commented that Journal for Plague Lovers was an attempt to finally secure the legacy of their former member Richey Edwards and the result was that, during the recording process, it was as close to feeling his presence since his disappearance: “There was a sense of responsibility to do his words justice. That was part of the whole thing of letting enough time lapse. Once we actually got into the studio, it almost felt as if we were a full band; it [was] as close to him being in the room again as possible.”[78]

1 History 1.1 Formation and early years (1986–1991) 1.2 Richey Edwards era: Generation Terrorists to The Holy Bible (1992–1995) 1.3 Everything Must Go to Lipstick Traces (1996–2003) 1.4 Lifeblood to Journal for Plague Lovers (2004–2009) 1.

5 Postcards from a Young Man and National Treasures (2010–2012) 1.6 Rewind the Film to anniversary of The Holy Bible (2013–2016) 1.7 Escape from History and Resistance Is Futile (2017–present) 2 Solo work 3 Collaborations and covers 4 Musical style 5 Band members 6 Discography 7 Awards 8 References 8.

1 Sources 9 External links

Generation Terrorists (1992) Gold Against the Soul (1993) The Holy Bible (1994) Everything Must Go (1996) This Is My Truth Tell Me Yours (1998) Know Your Enemy (2001) Lifeblood (2004) Send Away the Tigers (2007) Journal for Plague Lovers (2009) Postcards from a Young Man (2010) Rewind the Film (2013) Futurology (2014) Resistance Is Futile (2018)

In April and May 1994 the band first performed songs from The Holy Bible at concerts in Thailand and Portugal and at a benefit concert for the Anti-Nazi League at Brockwell Park, London.[32] In June, they played the Glastonbury Festival.[33] In July and August, without Richey Edwards, they played T in the Park in Scotland, the Alte Wartesaal in Cologne, the Parkpop Festival in The Hague and the Reading Festival.[34] During September, October and December there was a headline tour of the UK and Ireland and two tours in mainland Europe with Suede and Therapy?.[35] In December, three nights at the London Astoria ended with the band smashing up their equipment and the venue’s lighting rig, causing £26,000 worth of damage.[36]

As a result of their controversial behaviour, the Manics quickly became favourites of the British music press, which helped them build a rabidly dedicated following.[12] Columbia Records of Sony Music UK signed the band shortly afterwards and they began work on their debut album.[2]

Walking streets made me oddly ecstatic, and I barely came home to my apartment. Much to the concern of my family half way across the earth. I would walk into thrift stores and buy cheap shit I knew I was never going to use, and hoard them in my room. I don’t think I have ever spent so much money in my life as I spent during those months of my mania.

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Manic Street Preachers are a Welsh rock band, formed in 1986 in Blackwood, Caerphilly and consisting of James Dean Bradfield (lead vocals, lead guitar), Nicky Wire (bass guitar, lyrics) and Sean Moore (drums, percussion, soundscapes). They are often colloquially known as the Manics. Following the release of their first single, “Suicide Alley”, the band was joined by Richey Edwards as co-lyricist and rhythm guitarist. The band’s early albums were in a punk vein, eventually broadening to a greater alternative rock sound, whilst retaining a leftist politicisation.[1] Their early combination of androgynous glam imagery and lyrics about “culture, alienation, boredom and despair” has gained them a loyal following and cult status.[2]

The band’s debut album, Generation Terrorists, was released in 1992 on the Columbia Records imprint. The liner notes contained a literary quote for each of the album’s eighteen songs and the album lasted just over seventy minutes. The album’s lyrics are politicised like those of the Clash and Public Enemy,[13] with the album’s songs regularly switching from a critical focus on global capitalism to more personal tales of despair and the struggles of youth. About the musical style of the album Pitchfork writer Joe Tangari wrote that Generation Terrorists “walked a weird line between agit-punk, cock rock, romantic melodicism and glam, and was so obviously patterned after the Clash’s London Calling that it was actually kind of cute.”[3]

Edwards disappeared on 1 February 1995, on the day when he and James Dean Bradfield were due to fly to the US on a promotional tour.[37] In the two weeks before his disappearance, Edwards withdrew £200 a day from his bank account, which totalled £2800 by the day of the scheduled flight.[38][39] He checked out of the Embassy Hotel in Bayswater Road, London, at seven in the morning, and then drove to his apartment in Cardiff, Wales.[38][40] In the two weeks that followed he was apparently spotted in the Newport passport office,[41] and the Newport bus station.[38][42] On 7 February, a taxi driver from Newport supposedly picked up Edwards from the King’s Hotel in Newport, and drove him around the valleys, including Blackwood (Edwards’ home as a child). The passenger got off at the Severn View service station near Aust and paid the £68 fare in cash.[40][43]

The band released a special edition of their album Send Away the Tigers on 12 May. 2017 marks the 10th anniversary of the record and the Manics said that “this is a very important album” in their career. The special edition featured a remastered album as well as b-sides and rarities spread over two discs, plus a DVD which features the band’s 2007 Glastonbury performance, rehearsal footage, an album track-by-track, and promo videos.[127]

In May 2013 the Manics released information about their most recent recording sessions, saying that they had enough material for two albums; the first would be almost exclusively without electric guitars.[100] The name of the first album and title track was revealed to be Rewind the Film on 8 July.[101] In a statement, the band announced, “(If) this record has a relation in the Manics back catalogue, it’s probably the sedate coming of age that was This Is My Truth Tell Me Yours.”[102] The band also stated via Twitter, “MSP were in the great Hansa Studios in January with Alex Silva (who recorded The Holy Bible with us). Berlin was inspirational… Sean been playing a french horn in the studio today – sounding wonderful.”[103]

The Lightning Seeds’ song “Waiting for Today to Happen”, from their fifth album, Dizzy Heights (1996), was written by Nicky Wire and Ian Broudie. That same year, James Dean Bradfield and Dave Eringa produced Northern Uproar’s first single, “Rollercoaster/Rough Boys”. The 808 State song “Lopez” (1997) features lyrics by Wire and vocals by Bradfield.[2] It is featured on their greatest hits album, 808:88:98. Kylie Minogue’s sixth album, Impossible Princess (1997), features two songs co-written and produced by the Manics: “Some Kind of Bliss” (Bradfield, Minogue and Sean Moore) and “I Don’t Need Anyone” (Bradfield, Jones and Minogue) were produced by Bradfield and Dave Eringa.[2] Bradfield provided backing vocals, bass guitar and production for the Massive Attack song “Inertia Creeps” (1998), which features on their successful third album, Mezzanine.[2] Patrick Jones’s album of poetry set to music, Commemoration and Amnesia (1999), features two songs with music written by Bradfield: the title track and “The Guerilla Tapestry”. Bradfield plays guitar on both songs. Furthermore, the track “Hiraeth” features a section called “Spoken Word”, in which Nicky Wire talks about Welsh identity.[65]

The band’s eighth studio album, Send Away the Tigers, was released on 7 May 2007 on Columbia Records. It entered the official UK album charts at No. 2. Critical response to the album was largely positive, with some critics hailing the album as the band’s best in a decade. A free download of a song entitled “Underdogs” from the album was made available through the group’s website on 19 March 2007.”[65]

I’m bipolar so I’ve had my share of manic and hypomanic episodes. I’l tell you about my experiences- everyone wears their mania a little differently. It feels great, at least at first. It feels like having had WAY too much caffeine, like being buzzed for days on end.

I have so much nervous energy I can’t sit down. I have gone to the gym when manic, raced through three times my normal workout, and still had energy left over. Some days I am hypomanic, which is basically a lesser degree of mania.

I have so much more focus and drive than my normal self. I get more done in one day than I normally do in a week. Last episode I sat down, edited, and self published a book of poetry of mine. The drafts had been on my computer for years while I debated whether it was good enough to bother with.

Suddenly I just knew it was great and within a few days I had a real book in hand. My days are full of projects and painting, and my house gets really clean. Every spare moment is an opportunity to accomplish something new and I don’t get tired, so all the more time to get things done.

I wish I could feel like that all the time. The ugly- real mania. Once again it feels great. I am normally a conservative quiet person but things change. I find myself running my mouth to people I barely know.

My mind can’t settle down. I now understand why college was so hard for me- I just couldn’t focus on a textbook when my thoughts were flying so fast. I love myself and feel overwhelmingly self confident.

I spend money- I find myself needing to have expensive things I can’t afford, usually in the name of my latest dubious business venture. I am now the owner of a $500 printer that has been used once or twice, but seemed indispensable at the time to my career as a budding famous artist.

I’ve maxed out all my credit cards. I’ve learned my lesson and shredded all of them during a saner moment.I get slap happy, laughing hysterically at things that shouldn’t really be all that funny. Minor irritations cause me to break down in screaming and tears.

Recently I was hospitalized for a mania I couldn’t get down from because I was truly afraid I was going to snap and hurt my kids. I spent the hours I had to wait in the ER pacing back and forth- I had too much energy to sit down and wait like a normal person.

I will never own a gun because I know that given the right combination of circumstances and mania I will use it- either on myself or someone I love. I am now on a good combination of drugs. I am still moody.

  But for the first time I can remember I feel like a normal person. But I understand why not every bipolar stays on their meds- sometimes I miss the highs.

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Contrary to popular belief, there are no live strings on the record. The strings are instead produced by a synthesizer.

The first official single released from Send Away the Tigers was “Your Love Alone Is Not Enough”, which features Cardigans vocalist Nina Persson and according to the band they always had a duet in mind, seeing that the lyrics have a question/reply style to it. According to singer Bradfield the title was the last line of a suicide note left by the friend of someone close to the group.[70] The second single, “Autumnsong”, and a third, “Indian Summer”, were released in August. ″Indian Summer″ peaked at number 22, making it the first Manics single not to chart in the Top 20 since 1994’s She Is Suffering. The album sleeve features a quotation from Wyndham Lewis: “When a man is young, he is usually a revolutionary of some kind. So here I am, speaking of my revolution”.[71]

I don’t know what to say. But apparently I’ve said it already. I wish I could remember what it was.

I kiss someone I’ve had a crush on for years. They reciprocate. I begin tearing at their clothes. They reciprocate less. I stop, but the damage is done. I never see them again out of shame and as penance. Sometimes they still text me; I never text back.

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In 2006 the band received the prize for the Q Merit Award in the Q Awards 2006 and also the 10th anniversary edition of ″Everything Must Go″ was released on 6 November. It included the original album, demos, B-sides, remixes, rehearsals and alternate takes of the album’s songs, spread out over two CDs. An additional DVD, featuring music videos, live performances, TV appearances, a 45-minute documentary on the making of the album, and two films by Patrick Jones, completed the three-disc set.”[65]

In April 2005, the band played a number of shows as the Past-Present-Future tour – announced as their last for at least two years. The band released an EP entitled God Save the Manics with only a limited number of copies available and given out to fans as they arrived at the venue. After all the copies were gone, the band made the EP available as a free download on their website.[69] In September, the band contributed the new track “Leviathan” to the War Child charity album Help!: A Day in the Life.

The first album without Edwards, Everything Must Go, was released on 20 May 1996. The band had chosen to work with new producer Mike Hedges, mainly for his work on Siouxsie and the Banshees’ single “Swimming Horses” that Bradfield rated highly.[52] Hedges had already been approached before to produce The Holy Bible but he wasn’t available at the time.[52] Everything Must Go debuted on the UK Album Chart at number 2, so far the album has gone Triple Platinum in the UK and is their most successful album to date, spending 103 weeks in the Top 100 with the album still in the Top 5 a year after its release.[17] Containing five songs either written or co-written by Edwards the album was released to overwhelmingly positive reviews. Lyrically the themes were different from their previous effort, instead of introspective and autobiographical tracks such as “4st 7lb”, Wire’s predilection for historical and political themes dominates, like the No. 2 hit single “A Design for Life”. The song was the first to be written and released by the band following the mysterious disappearance of figurehead Richey Edwards the previous year and was used as the opening track on Forever Delayed, the band’s greatest hits album released in November 2002.

I thought of my mother and my father, and I thought of Abby, but only for flashes: nothing would remain, everything was immediately carried off in this great storm of shame, fear, rage, and sorrow. I wept and wept, incapable of extending myself through time: it was the brutality of the present that crushed me, the incessant re-setting of the scene: any effort to elaborate a saving thought, a consolatory or even therapeutic idea, was in vain; all things were carried away at once, disappeared from me, receded into distance. I thought only of my own destruction.

My pulse feels like it is racing but when measured it comes out to just about 100 beats per minute, just a little above average.

The Forever Delayed DVD was released in 2002 together with the greatest hits CD and photo book that bear the same name, and features all the promo music videos from the start of the band’s career released prior to the DVD. Along with the promo videos there is a selection of 14 remix videos, where the visual material is taken from clips of the other promo videos as well as backdrop visuals from the band’s live concerts. The album peaked and debuted on the UK Album Chart at #4.[66]

The band have described Gold Against the Soul as their least favourite album and the period surrounding the album as being the most unfocused of their career. The band’s vocalist and guitarist James Dean Bradfield has said “All we wanted to do was go under the corporate wing. We thought we could ignore it but you do get affected.”[20]

The album sold around 24,000 copies in the first week, entering the UK Albums Chart at number 2,[138] despite being number 1 during the week,[139] it was the highest new entry on the chart. However, on physical sales the album peaked at number 1, both on CD[140] and Vinyl.[141]

Tracks from Journal for Plague Lovers have been remixed by a number of artists, and the Journal for Plague Lovers Remixes EP was released on 15 June 2009. Martin Noble of the band British Sea Power remixed the song “Me and Stephen Hawking”;[79] Andrew Weatherall remixed “Peeled Apples”, which he has described as “sounding like Charlie Watts playing with PiL”; The Horrors remixed “Doors Closing Slowly”;[80] NYPC remixed the song “Marlon J.D” and the EP also features remixes by Patrick Wolf, Underworld, Four Tet, Errors, Adem, Optimo and Fuck Buttons.

I check the time. I have an hour to make a ten minute walk. I’m late anyway, even though I didn’t make any diversions.

I have sex with a man I don’t know. I didn’t even think about asking his name. I forgot to ask about protection. I’m not sure if he used it or not. I’m not entirely sure I care.

Dave Eringa – keyboards (1993–1995) Greg Haver – rhythm guitar, percussion (2002–2003) Anna Celmore – piano (2002–2003) Guy Massey – rhythm guitar (2004–2005) Sean Read – piano, keyboards, percussion, saxophone (2006–2012)

The band released a split single in 1992 with the Fatima Mansions, a rock cover of “Suicide Is Painless”, which became their first UK Top 10 hit.[2] They have recorded many cover versions of songs by other artists, primarily as B-sides for their own singles. Bands to whom the group have paid tribute in this way include the Clash, Guns N’ Roses, Alice Cooper, Happy Mondays, McCarthy, Chuck Berry, Faces and Nirvana.[2]

I don’t feel like I can fly, but I feel like falling won’t hurt. It doesn’t. Landing does. I try it again, anyways.

In February 2006, the band contributed a cover version of “The Instrumental” to the album Still Unravished: A Tribute to the June Brides.[65]

The other album, Futurology, the band’s twelfth studio album, was released on 7 July 2014 and it received immediate critical acclaim. The lead single from the album, “Walk Me to the Bridge”, was released as a digital download on the day of the announcement, on 28 April.[105]

Escape from History and Resistance Is Futile (2017–present)[edit]

I feel like I can hear more than I usually can; there’s a buzz in that one alarm clock that is constant and a high thrum (I know I’m not hallucinating it; I’ve tried plugging my ears and the buzz disappears. When I hold the clock to my ear it’s noticeably louder).

References[edit] Sources[edit] Price, Simon (1999). Everything (A Book About Manic Street Preachers). London: Virgin Books. ISBN 0-7535-0139-2.  Clarke, Martin (1997). Manic Street Preachers: Sweet Venom.

London: Plexus. ISBN 0-85965-259-9.  External links[edit] Wikimedia Commons has media related to Manic Street Preachers. Official website

After headlining Glastonbury Festival, T In the Park and V Festival, the band played the Leaving the 20th Century concert at the Millennium Stadium in Cardiff on 31 December 1999, the first concert to be held there, with 57,000 people attending and the final song being broadcast around the world by satellite as part of 2000 Today. The concert is available on VHS and DVD. Subtitled English lyrics, available as an extra, contain errors when compared to the official lyrics in the band’s album booklets and in between some of the tracks there are interview clips where the band discusses their history and the songs.[63]

With their debut album, Generation Terrorists, the Manic Street Preachers proclaimed it would be the “greatest rock album ever”,[3] as well as hoping to sell “sixteen million copies” around the world, after which they would split up.[2] Despite the album’s failure to meet this level of success, the band carried on with their career. The group became a trio when Richey Edwards disappeared in February 1995.[4] The band went on to gain critical and commercial success in spite of his absence.

On 10 October the band announced via Facebook that a film-interview-documentary about their album Generation Terrorists would be screened at 2012’s Sŵn Festival as a Welsh exclusive. The film was shown at Chapter Arts Centre on Saturday 20 October, with all profits being donated to Young Promoters Network.[97] The film was made available in the 20th anniversary re-issue of Generation Terrorists, of which there were five editions: 1. Single Disc edition: Original Album 2. 2 Disc Deluxe edition: Includes Original Album + Demos with DVD of Culture, Alienation, Boredom, Despair (A making of the album) 3. 4 Disc Limited edition (3000 copies worldwide): Includes Original Album, Demos, B-Sides, Rarities, CABD DVD + Replica of Generation Terrorist Tour VIP Pass, 10″ Collage by Richey Edwards, 10″ Vinyl LP of a rare Manics Radio Performance and a 28-page book from Nicky Wire’s personal archive.[98]

Background information Also known as Manics, The Manics Origin Blackwood, Wales, UK Genres

The album sold about 20,000 copies in its first week and reached No. 2 on the UK Album Chart. The title track, Futurology, was the second and final single released from the album on 22 September, the video debuted on YouTube on 10 August. The video was directed by the British Academy of Film and Television Arts winner Kieran Evans, who worked with the band on videos from their previous effort Rewind The Film. The band promoted the album with a tour around the UK and Europe from March to May 2014, they also made appearances in festivals like T in the Park in Scotland and Glastonbury Festival in the summer.

On 1 June 2010, the band announced on their homepage that a new album called Postcards from a Young Man would be released on 20 September. James Dean Bradfield said that the album would be an unashamedly pop-orientated affair, following 2009’s Journal for Plague Lovers. “We’re going for big radio hits on this one”, he told NME. “It isn’t a follow-up to Journal for Plague Lovers. It’s one last shot at mass communication.”[82]

James Dean Bradfield – lead vocals, lead and rhythm guitar, piano, keyboards (1986–present) Nicky Wire – bass guitar, piano, backing and lead vocals (1988–present), rhythm guitar (1986–1988) Sean Moore – drums, percussion, trumpet, backing vocals (1986–present)

A tenth anniversary edition of The Holy Bible was released on 6 December 2004, which included a digitally remastered version of the original album, a rare U.S. mix (which the band themselves have admitted to preferring to the original UK mix)[34] and a DVD of live performances and extras including a band interview.

In 2001, they became the first popular Western rock band to play in Cuba (at the Karl Marx Theater), and met with president Fidel Castro. Their concert and trip to Cuba was documented and then released as a DVD entitled Louder Than War. At this concert they revealed many tracks from their upcoming sixth album, Know Your Enemy, which was released on 19 March. The left-wing political convictions of the Manic Street Preachers are apparent in many of the album’s songs, such as “Baby Elián” as they comment on the strained relations between the United States and Cuba as seen in the Elián González affair, a hot topic around the album’s release.[64]

This became a regular thing. It began with what I thought to be the wanderlust of a frustrated graduate student newly breaking free but quickly progressed into something beyond what I could handle or understand. I would hound the streets of Los Angeles, miles on an end (18–20 miles a day), without apparent reason, at odd hours of the day. I don’t remember all details from the period, and my memory went fuzzy at some point. I would smoke pot with strangers on Melrose Ave (something which I amn’t against, but I normally wouldn’t do myself. Heck, I normally wouldn’t go off walking 20 miles too!), considered myself immune to all sorts of threats that might pose to a lonely, delusional young girl walking unholy neighborhoods at 3:00 AM in Los Angeles (sometimes dance in the wee hours when no one was watching), and believed I was a genderless seraphim who would grow wings and fly away at any time. I felt I owned the streets of the city and nothing could harm me.

After the release of “Suicide Alley,” Edwards joined the band on rhythm guitar and contributed to lyrics alongside Wire. Edwards also designed record sleeves and artwork, and drove the band to and from gigs.[2]

Miles “Flicker” Woodward – bass guitar (1986–1988) Richey Edwards – rhythm guitar, piano, backing vocals (1989–1995)

Throughout their career, the Manics have headlined several festivals including Glastonbury, T in the Park, V Festival and Reading, won eleven NME Awards, eight Q Awards and four BRIT Awards.[5] They have been nominated for the Mercury Prize in 1996 and 1999, and have had one nomination for the MTV Europe Music Awards. The group has reached number 1 in the UK charts three times: in 1998, with the album This Is My Truth Tell Me Yours and the single “If You Tolerate This Your Children Will Be Next”, and again in 2000 with the single “The Masses Against the Classes”.[6] They have sold more than ten million albums worldwide.[7]

I’m not bipolar. I did have a number of mood issues and some difficulty with consistent depression as a teenager, but things eventually stabled out. But I did have an experience that I could only describe as manic.

I don’t know if it’s possible to have an isolated episode of hypomania, but that’s what I’d probably call it. I didn’t even know what it was at the time as I hadn’t taken abnormal psych back then. OK.

.. now to what it felt like.This was not all at once. It spanned maybe a week. I began to feel very happy, very optimistic and full of life. Like everything was good. I remember saying that constantly, “It’s all good!” I couldn’t stop grinning.

Just felt very happy.Well that feeling continued to increase. Everything was amazing. Every thing I drank felt like it was fucking mead from Asgard. The world was gorgeous and bright. I listened to some music around this time.

One song in particular. It was a good song. I often get a great feeling listening to music, but nothing like this. It was transcendent. I could feel these colors in my mood, I remember walking around like I was drunk.

I just kept having this ridiculous sense of well-being. I remember noting how bizarre it was and asking myself about things to test how delusional I felt. I specifically remember feeling that everyone should just be happy.

Like “Why isn’t everyone happy?” I remember thinking even people starving in Africa should just be happy. Why aren’t they? Just eat grass. It will be OK. I remember recognizing consciously how absurd that was to think, but I just felt terrific and like the world just fucking loved me.

This just kept on going. I knew it would end at some point. I was expecting some weird crash or something. I kept describing it as feeling high on life. Like why would anyone do drugs when you could feel this damn good?Anyways, eventually it came to a head.

It was like 2 AM, I’d had a pretty great feeling day, and I decided to go for a stroll. I bought some shitty music for my iPod that at the time felt incredible because of my bizarre state. It was snowing out.

Something about the lighting against the white sky was just gorgeous. The solitude in such an open space. I felt like I could see the sun setting even though it was 2 AM. I walked out in the snow and the world was like glowing, it was so beautiful, and the snow was still coming down.

I think I wrote something in the snow or something. The music felt amazing. I was euphoric. I must have just walked the campus until like 3 AM or something in this transcendent fucking state. Event though I’m an nontheist, I remember understanding why hippies felt like they were one with the universe and what not.

It was a borderline religious experience.The next day I didn’t crash, but everything was back to normal. I’ve had some great days, some great nights when the world was beautiful and music was good, all good stuff for making art and music etc.

But I’ve never felt as good as I did that night. Neither before nor since.

The single features Nina Persson and reached number 2 on the UK Charts.

The band’s first musical appearance since Edwards’ departure was recording a cover of “Raindrops Keep Falling on My Head” for The Help Album, a charity effort in 1995 in support of aid efforts in war-torn Bosnia and Herzegovina.[2]

An album of B-sides, rarities and cover versions was released in 2003 entitled Lipstick Traces (A Secret History of Manic Street Preachers), which contains the last song the band worked on with Edwards. The album received a far more positive reception from fans than the Forever Delayed greatest hits album, which was heavily criticised for favouring the band’s more commercially successful singles. The only recurring criticism of Lipstick Traces was the exclusion of the fan favourite “Patrick Bateman”, from the “La Tristesse Durera (Scream to a Sigh)” single. The band explained that it was excluded mainly because it was almost seven minutes long and simply would not fit on the album.”[65]

I had a second manic episode over the spring break, but let me talk about the first and the most remarkable one.

I know I can’t afford what I just bought but it gives me so much pleasure I couldn’t stand not owning it for one more minute.

Ok. I’m gonna take you on a tour to try and experience what mania feels like. I’m writing about my traits mostly, and a few small stories along the way with added visual effects. So come on in…..So What does a manic episode feel like? Lets begin.

The fun part:(if there is such a thing) it’s like your on cocaine. So if you’ve ever done coke then that’s a good platform to grasp exactly how the early stages of mania feels like for me.10 feet tall & bullet proof.

But what’s is the catalyst? For meIt starts subtly, but there is always a trigger. My trigger is extreme external  stress from specific conditions around me.So far this is what ignites the mania.This stress will then manifest itself in Creative ways.

First my interest in music increases. So much so that every song is speaking to me and was most likely written for me, and has special meaning that I’m obviously the only one able to receive the special message, the only one able to hear the encrypted meaning.

I’ll think of a song I want to hear, I’ll shuffle my entire list of songs on my iPhone(740 songs) and about 9 times out of 10 the song I wanted to hear will be selected . “Wow that’s a connection” I’ll think.

So now the universe is speaking to me through the songs as they play.Next I’ll begin to have a pattern to my speech. Not only will I begin to speak faster but I’ll speak in riddles, rhymes and beats. I become the Dr Seuss of bipolar rhyming.

And every word is profound and perfect. Why? “But of course” because its coming from me. I think to myself “it’s the nuggets of wisdom that fall from my mind, it’s the words that escape you that somehow I find” kinda stuff.

Then my sense of good judgement starts to breakdown and fail me. I’ll spend money on stuff that I normally would never do under sound mind. Then I continue to fall faster into the rabbit hole.Finally numbers come into play.

I’m a 0101 baby, born January 1st!  Alas I’m binary! And that ignites the magic around me. Things come to life and meaning can be found anywhere I look especially in numbers. Meaning to what? Meaning to life! How I can save the world! Wait I can’t even save myself.

Then truthfully animals and insects begin to interact with me. Example honeybees flock to me. Yes this is for real, as well as wasps. Here is a photo of the one wasp that followed me back to my hotel room for my weekend stay in Tampa(by myself)  the wasp just chilled.

I put it back outside later. Now I’m the queen of the bees! Or at least for the time being this seems to be the case.So I’m in Tampa(alone)Mania full swing. What’s next you say?Next lets take life on a dangerous dare! I get into my car, decide at 7:00 am to go back home 2 hours away.

But I’m gonna make it there in 1 hour & 15 minutes. Why? Well I can drive with such precision and ease when I’m super human. So much so that speeds of 100 miles an hour is achievable  once my mind, my body and the road, adapt to my driving style.

Which I proceed to drive the entire way home at speeds between 90 to 100 miles an hour. Can’t let that speedometer not be on my lucky number!! 0101 my birthday, the encrypted magical message. thinks to myself “Must keep achieving speed of 101! I can do it!” And I did.

Thank God I’m alive to recall this to you, and that no one was killed.Oh I forgot to mention I’ve not really slept the last 48 hours. Then comes the low. I just want it all to stop. I literally wear myself out to a point that my mind plays tricks on me.

I lose concept of time frames.  Hours turn into days, days into weeks it seems.And then darkness… Sadness. The gaping whole of humanity’s injustice sucks me into deep despair. So much injustice in the world, it takes me to dark cold places.

“What’s the point” I think , I may or may not plan to exit existence… Where is that exit door? It’s just one action away.Then I sit down and look around and the destruction of my actions lay at my feet all around me, I dare not try to list them, for there are many.

Slowly I begin to gather the pieces of my puzzle and try to put it together again.After weeks sometimes months of  seclusion, I slowly allow myself to go experience the external environment outside my front door.

The awe of Gods creation inspires me, and my Son… My beautiful son. He does not deserve this, I fall to my knees and begin to pray.Yes there is so much more,  more stories to tell,  jaw dropping accounts of my madness and how it unfolded differently each  time, and the different circumstances surrounding each event.

But my Son.. He does not deserve this and neither do I. So I press onward .. And remember there is never a dull or bored moment. Ever! That’s what it feels like.If you want to read further about my experience you may enjoy this one.

Nicole Moncada’s answer to What does it feel like to have bipolar disorder?Nicole Moncada’s answer to As a bi-polar person, what is your experience of mania and spirituality/God/The Universe/Another “reality?”

Other tracks combine personal and political themes, implicating a connection between global capitalism and personal struggle; “Nat West-Barclays-Midlands-Lloyds” was written as a critique of overseas banking credit policies, but also concerned Richey Edwards’ issues involving overdrafts and refused loans.[14] Marc Burrows of Drowned in Sound considered the song to be an accurate prediction of “global financial meltdown” and its effects on everyday life.[15] The single “Motorcycle Emptiness”, meanwhile, criticizes consumerism as a “shallow dream”[14] that makes human life overtly commercialized.[15] “Little Baby Nothing”, a duet between Traci Lords and Bradfield, was described by Priya Elan of the NME as a “perfect snapshot of [female] innocence bodysnatched and twisted”.[16]

Wayne Murray (Thirteen:13) – rhythm guitar, backing vocals (2006–present) Nick Nasmyth – keyboards (1995–2005, 2013–present)

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